In these front covers the main artist with the double page
article is shown in either the middle of the front cover or seen taking up the
entire front cover looking at the camera to make out as if the artist in the
image is looking directly at the audience in order to attract the eyes of passer-by’s.
in almost all of the music magazines front cover in this mood board all of
them are wearing generally dark colors
on their costumes this is used in order to covey grimes music genre as unknown
and quiet and not loud and proud like pop or RnB distinguishing the genre from
other music genres. Overall the artists in these magazines are represented as
cool and collective and quiet all apart from the RWD magazine front cover in
the top right where the artists seem to be excited but apart from that magazine
cover all the other magazine covers perfectly represent grime as a calm genre
that is quite unknown and does not have artists that look for fame unlike pop
and RnB. The fonts in the title blocks of these magazine covers are very
similar in appearance, they use bold large text with either two colors or one
color throughout the lettering which further relates to the simplicity of the
grime music genre also these title block lettering have subtle altering to
specific letters to highlight them such as the G in the bottom left grime music
magazine and the R in the 2nd RWD magazine. The color scheme for
these grime magazines are seen generally to be a dark color followed by a
bright color in order to balance the darkness out and give the magazine a
brighter outlook in order for it to be
recognized by the masses that may
glance upon it on a magazine stand. By looking at the front covers of these
magazines us as the audience can infer that the articles in these magazines
will be focused on grime artists or more specifically the grime artists that
were featured as the central image on the front cover so we can also expect
informal language being used in the articles because of the type of artists
that are seen on the front cover.
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